Series introduction by John Lahr with individual volumes introduced by Laurence Fishburne, Tony Kushner, Romulus Linney, Marion McClinton, Toni Morrison, Suzan-Lori Parks, Phylicia Rashad, Ishmael Reed, and Frank Rich.
"No one except perhaps Eugene O'Neill and Tennessee Williams has aimed so high and achieved so much in the American theater."--John Lahr, The New Yorker
"Heroic is not a word one uses often without embarrassment to describe a writer or playwright, but the diligence and ferocity of effort behind the creation of his body of work is really an epic story. . . . For all the magic in his plays, he was writing in the grand tradition of Eugene O'Neill and Arthur Miller, the politically engaged, direct, social realist drama. He was reclaiming ground for the theater that most people thought had been abandoned."--Tony Kushner
August Wilson's Century Cycle is "one of the most ambitious dramatic projects ever undertaken" ( The New York Times ). With it, Wilson dramatizes the African American experience and heritage in the twentieth century, with a play for each decade, almost all set in the Hill District of Pittsburgh, where he grew up. Wilson's extraordinary lifework--completed just before his death in October 2005--is presented here for the first time in its entirety.
Art is beholden to the kiln in which the artist was fired. Before I am anything, a man or a playwright, I am an African American. . . . The cycle of plays that I have been writing since 1979 is my attempt to represent that culture on stage in all its richness and fullness and to demonstrate its ability to sustain us in all areas of human life and endeavor and through profound moments of our history in which the larger society has thought less of us than we have thought of ourselves.
The characters in the plays still place their faith in America's willingness to live up to the meaning of her creed. It is this belief in America's honor that allows them to pursue the American Dream even as it remains elusive. . . . They shout, they argue, they wrestle with love, honor, duty, betrayal; they have loud voices and big hearts; they demand justice, they love, they laugh, they cry, they murder, and they embrace life with zest and vigor. . . . In all the plays, the characters remain pointed towards the future, their pockets lined with fresh hope and an abiding faith in their own abilities and their own heroics. --August Wilson
African Americans -- Drama
African Americans -- History -- 20th century -- Drama
African Americans -- Pennsylvania -- Pittsburgh -- Drama
Blues musicians -- Drama
Blues musicians -- Pennsylvania -- Pittsburgh -- Drama
Pittsburgh (Pa.) -- Drama
|Grouped Work ID||64bfb3e2-0888-8aad-4232-6865a49d0455|
|Grouping Title||seven guitars|
|Grouping Author||wilson august|
|Last Grouping Update||2019-03-19 22:59:40PM|
|Last Indexed||2019-03-20 00:30:34AM|
|available_at_school||Maplewood High, Stratford STEM High|
|detailed_location_school||Maplewood High - Teen Non-Fiction, Stratford High - Teen Non-Fiction|
Pulitzer Prize-winning author of Fences and The Piano Lesson
Winner of the New York Drama Critics Circle Award for Best Play
It is the spring of 1948. In the still cool evenings of Pittsburgh's Hill district, familiar sounds fill the air. A rooster crows. Screen doors slam. The laughter of friends gathered for a backyard card game rises just above the wail of a mother who has lost her son. And there's the sound of the blues, played and sung by young men and women with little more than a guitar in their hands and a dream in their hearts.
August Wilson's Seven Guitars is the sixth chapter in his continuing theatrical saga that explores the hope, heartbreak, and heritage of the African-American experience in the twentieth century. The story follows a small group of friends who gather following the untimely death of Floyd "Schoolboy" Barton, a local blues guitarist on the edge of stardom. Together, they reminisce about his short life and discover the unspoken passions and undying spirit that live within each of them.
From the Trade Paperback edition.
|isbn||155936307, 9780452276925, 9780525941965, 9780573696008, 9781101173695, 9781559363013, 9781559363075|
|item_details||ils:CARL0000095078|35192030250215|Main Library - Adult Non-Fiction|812.54 W7467s|||1|false|false|||||On Shelf||MN||, ils:CARL0000301461|35192036803660|Main Library - Adult Non-Fiction|812.54 W7467sg|||1|false|false|||||On Shelf||MN||, ils:CARL0000526148|A01421505|Stratford High - Teen Non-Fiction|812.54 WIL|||1|false|false|||||On Shelf||6H705||, ils:CARL0000749803|QQ00331229|Maplewood High - Teen Non-Fiction|812.54 WIL|||1|false|false|||||On Shelf||6E550||, overdrive:9aa53497-1b3e-472e-b86d-78c9b47283c4|-1|Online OverDrive Collection|Online OverDrive|eBook|eBook|1|false|true|OverDrive|||Adobe EPUB eBook,Kindle Book,OverDrive Read|Available Online|||||
|literary_form_full||Drama, Dramas, Fiction, Non Fiction|
|owning_location_school||Maplewood High, Stratford STEM High|
|publishDate||1996, 1997, 2007|
|record_details||ils:CARL0000095078|Book|Books||English|Plume,|1997.|107 p. ; 23 cm., ils:CARL0000301461|Book|Books|1st ed.|English|Theatre Communications Group ;|2007.|xxii, 101 p. ; 23 cm., ils:CARL0000526148|Book|Books||English|Dutton,|c1996.|107 p. ; 23 cm., ils:CARL0000749803|Book|Books|Samuel French acting ed.|English|Samuel French,|c1996.|121 p. ; 19 cm., overdrive:9aa53497-1b3e-472e-b86d-78c9b47283c4|eBook|eBook||English|Penguin Publishing Group|||
|subject_facet||African Americans -- Drama, African Americans -- History -- 20th century -- Drama, African Americans -- Pennsylvania -- Pittsburgh -- Drama, Blues musicians -- Drama, Blues musicians -- Pennsylvania -- Pittsburgh -- Drama, Historical drama, Pittsburgh (Pa.) -- Drama|
|title_full||Seven Guitars, Seven guitars / August Wilson, Seven guitars / August Wilson ; foreword by Tony Kushner, Seven guitars / by August Wilson|
|topic_facet||African Americans, Blues musicians, Drama, Fiction, History|