Tennessee Williams

No play in the modern theatre has so captured the imagination and heart of the American public as Tennessee Williams's The Glass Menagerie.

Menagerie was Williams's first popular success and launched the brilliant, if somewhat controversial, career of our pre-eminent lyric playwright. Since its premiere in Chicago in 1944, with the legendary Laurette Taylor in the role of Amanda, the play has been the bravura piece for great...

Presents the script of the Pulitzer Prize-winning play about a wealthy Southern family and the secrets that are revealed when they all gather to celebrate Big Daddy's birthday.

This definitive collection establishes Williams as a major American fiction writer of the twentieth century.

Tennessee Williams' Collected Stories combines the four short-story volumes published during Williams' lifetime with previously unpublished or uncollected stories. Arranged chronologically, the forty-nine stories, when taken together with the memoir of his father that serves as a preface, not only establish Williams...

"The Roman Spring of Mrs. Stone is vintage Tennessee Williams. Published in 1950, his first novel was acclaimed by Gore Vidal as "splendidly written, precise, short, complete, and fine." It is the story of a wealthy, fiftyish American widow recently a famous stage beauty, but now "drifting." The novel opens soon after her husband's death and her retirement from the theatre, as Mrs. Stone tries to adjust to her aimless new life in Rome. She is adjusting,...

Collects five "transgressive" short stories by Tennessee Williams which illustrate his statement to fellow writer Gore Vidal that he could not write any story unless there is one character in it, at least, for which Williams felt physical desire.

Contains ten one-act plays written by Tennessee Williams including five that have previously been unpublished.

"These tales were penned by one Thomas Lanier Williams of Missouri before he became a successful playwright, and yet his voice is unmistakable. The reliable idiosyncrasies and quiet dignity of Williams's eccentrics are already present in his characters. Consider the diminutive octogenarian of "The Caterpillar Dogs," who may have just met her match in a pair of laughing Pekinese that refuse to obey; the retired, small-town evangelist in "Every Friday...